Sony Carl Zeiss 50mm F14 Za Ssm Planar T* Review
Introduction
The Sony Carl Zeiss Planar T* 50mm F1.iv ZA SSM is a standard prime lens for Sony full-frame and APS-C SLT cameras. It offers a fixed 50mm focal length and extra-vivid F1.four aperture, features viii elements in five groups with two aspherical elements, and is grit- and wet-resistant. The Carl Zeiss Planar T* 50mm has a minimum focusing distance of 45cm and a maximum magnification of 0.14x. Sony's DMF engineering allows for direct manual focusing after autofocus lock-on without having to switch modes, and it has a nearly-circular 9 blade diaphragm which creates an bonny blur to the out of focus areas of the image. A special Carl Zeiss T* coating is practical to the lens elements to help reduce lens flare and surface reflections. The Sony Carl Zeiss Planar T* 50mm F1.four ZA SSM lens is currently available for £1299 / $1499 in the UK and the US, respectively.
Ease of Employ
The Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens
Weighing in at 518grams, the alloy-bodied Sony Carl Zeiss Planar T* 50mm F1.four ZA SSM is a very substantial A-Mount lens. Information technology complements a full-frame torso like the Sony A99 torso that we tested it with, as shown in the photos beneath.
The Sony Carl Zeiss Planar T* 50mm F1.iv ZA SSM lens mounted on a Sony A99
The Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens mounted on a Sony A99
Top of the Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens
Side of the Sony Carl Zeiss Planar T* 50mm F1.iv ZA SSM lens
Build quality is fantabulous, but you'd wait that given the high price of the lens. The Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM has a sealed dust and drip-proof pattern and is is a natural partner for the weatherproof SLT-A99 and SLT-A77 cameras.
Side of the Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens
The Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens with the lens hood fitted, mounted on a Sony A99
The wide and ridged manual focus ring is the master external control of annotation, forth with a useful distance calibration in anxiety and meters, plus a depth-of-field calibration besides.
Front of the Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens , isometric view
The lens utilizes an SSM (Super Sonic wave Motor) to produce quiet and smooth focusing, making it well-suited to shooting video. Manual focusing is possible when set on the specific camera body, with a focus hold button and DMF (Direct Manual Focus) functions on hand besides for critical focusing.
Front end of the Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens
Front end of the Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens
Rear of the Sony Carl Zeiss Planar T* 50mm F1.iv ZA SSM lens
The Sony Carl Zeiss Planar T* 50mm F1.iv ZA SSM lens has a metal lens mountain. The lens ships with a good quality case and a durable circular-shaped lens hood which attaches outside the lens barrel. It accepts 72mm filters via plastic threads.
Front of the Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens
Rear of the Sony Carl Zeiss Planar T* 50mm F1.iv ZA SSM lens
The Sony Carl Zeiss Planar T* 50mm F1.four ZA SSM lens in-paw
Focal Range
At the 50mm focal length the angle of view is 47 degrees.
Field of view at 50mm
Focusing
The Sony Carl Zeiss Planar T* 50mm F1.iv ZA SSM lens has quite a wide focus ring. In that location are hard stops at both ends of the range, making it easier to set focus at infinity. Polariser users should be pleased that the 72mm filter thread doesn't rotate on focus.
When it comes to machine-focusing, the Sony Carl Zeiss Planar T* 50mm F1.four ZA SSM zoom is a quiet and quick performer, taking about 0.2 seconds to lock onto the subject field when mounted on the Sony A99 that nosotros tested it with.
Nosotros didn't experience much "hunting", either in practiced or bad low-cal, with the lens accurately focusing nigh all of the time, and it's likewise a quiet performer thanks to its in-lens Super Sonic Wave Motor, ideal for picture show shooting.
Chromatic Aberrations
Chromatic aberrations, typically seen every bit purple or blue fringes forth contrasty edges, are only notable past their complete absenteeism from our examination shots.
Light Fall-off
With the lens gear up to its maximum aperture, there is some light fall-off in the extreme corners, but it won't affect your real-earth shots.
Light autumn-off
Macro
The Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM isn't claimed to be a macro lens, offering a minimum focusing distance of 45cm and a maximum magnification of 0.14x. The following example demonstrates how shut you can get to your subject, in this case a Compact Flash memory card.
Close-up performance
Bokeh
Bokeh is a word used for the out-of-focus areas of a photo, and is usually described in qualitative terms, such as smooth / creamy / harsh etc. In the Carl Zeiss Planar T* 50mm F1.4 ZA SSM lens, Sony employed an iris diaphragm with nine rounded blades, which has resulted in very appealing bokeh in our view. We exercise realise, however, that bokeh evaluation is subjective, so we've included several 100% crops for your perusal.
Sharpness
In order to prove you how sharp this lens is, nosotros are providing 100% crops on the following page.
- Ease
of Utilise - Sample
Images - Lens
Specs - Rating &
Conclusion - Primary
Rivals
Source: https://www.photographyblog.com/reviews/sony_carl_zeiss_planar_t_50mm_f_1_4_za_ssm_review
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